Topic: African Art: Cultural Heritage and Globalization
| Time | Days | Location | Instructor | GER | Credit | OPUS Class Number | Syllabus (Tentative) |
|---|---|---|---|---|---|---|---|
9:00am- | W | Carlos Hall Conference | Sidney Kasfir. | HAP. | 4 | 2753 | TBA. |
Two very broad changes have affected African art in the past twenty years: the movement of artists and their work from African countries to Europe and North America, as part of a broader migration and globalization process, and the designation of World Cultural Heritage sites by UNESCO, which has brought cultural tourism to many parts of Africa previously less visited and opened up new avenues of art patronage and economic development. These two changes in turn have created a hotly-debated globalization discourse among African cultural critics and intellectuals and a parallel, if quite different, "cultural heritage" discourse among African cultural bureaucrats, business entrepreneurs and local political leaders. We will look at case studies of how each of these phenomena have altered the meanings of tradition, cultural identity and the global cultural field.
Required Textbooks, Articles, and Resources
- TBA.
Grading
| Assignment/Exam | Details | % of Total Grade |
|---|---|---|
| The course will follow a seminar format of readings and discussion, with a major research paper. |
The schedule of courses on O.P.U.S. is the official listing of courses, including days and times they meet and the General Education Requirements they satisfy. Students should use course descriptions as general guidelines. Course requirements, grading details, book lists, and syllabi are subject to change.